I design sound across contexts — from studio recordings to film and liveperformance. I’m interested in how space and perception shape what we hear and feel.
My background in sound engineering and classical music informs a structural way of thinking — but I’m equally interested in building emotional narration through sound, through tension and release.
Whether recording an orchestra, designing for film or mixing live performances, I focus on depth, clarity and controlled intensity.
I’m fascinated by how small shifts in texture or space can alter the way we experience surrounding reality.
Alongside studio and film work, I collaborate on theatre and live sound productions, working in FOH and monitor engineering. My academic research explored auditory perception and sound illusions — a background that continues to guide how I think about sound and listening today.
Feel free to explore my work, get in touch, or view my CV for more details.
I design sound across contexts — from studio recordings to film and liveperformance. I’m interested in how space and perception shape what we hear and feel.
My background in sound engineering and classical music informs a structural way of thinking — but I’m equally interested in building emotional narration through sound, through tension and release.
Whether recording an orchestra, designing for film or mixing live performances, I focus on depth, clarity and controlled intensity.
I’m fascinated by how small shifts in texture or space can alter the way we experience surrounding reality.
Alongside studio and film work, I collaborate on theatre and live sound productions, working in FOH and monitor engineering. My academic research explored auditory perception and sound illusions — a background that continues to guide how I think about sound and listening today.
Feel free to explore my work, get in touch, or view my CV for more details.
I design sound across contexts — from studio recordings to film and liveperformance. I’m interested in how space and perception shape what we hear and feel.
My background in sound engineering and classical music informs a structural way of thinking — but I’m equally interested in building emotional narration through sound, through tension and release.
Whether recording an orchestra, designing for film or mixing live performances, I focus on depth, clarity and controlled intensity.
I’m fascinated by how small shifts in texture or space can alter the way we experience surrounding reality.
Alongside studio and film work, I collaborate on theatre and live sound productions, working in FOH and monitor engineering. My academic research explored auditory perception and sound illusions — a background that continues to guide how I think about sound and listening today.
Feel free to explore my work, get in touch, or view my CV for more details.
I design sound across contexts — from studio recordings to film and liveperformance. I’m interested in how space and perception shape what we hear and feel.
My background in sound engineering and classical music informs a structural way of thinking — but I’m equally interested in building emotional narration through sound, through tension and release.
Whether recording an orchestra, designing for film or mixing live performances, I focus on depth, clarity and controlled intensity.
I’m fascinated by how small shifts in texture or space can alter the way we experience surrounding reality.
Alongside studio and film work, I collaborate on theatre and live sound productions, working in FOH and monitor engineering. My academic research explored auditory perception and sound illusions — a background that continues to guide how I think about sound and listening today.
Feel free to explore my work, get in touch, or view my CV for more details.